Friday, 24 January 2014

Steampunk Cheescake!




The Legatus is not really surprised to discover that there is a whole genre of Victorian steampunk cheesecake.  Certainly some of the wargames figures out there fall into this category and I am currently working on one now, although as she is one of the most challenging figures I have ever attempted to paint I'm not going to do any work in progress shots in case, as is quite likely, she turns out to be a total disaster!

Our first picture is by Taiwan-born American comic-book artist Ben Dunne who has actually written a book on how to draw steampunk; and their are quite a few books on this subject.   The young lady's weapons have a seventeenth century look to them.  She illustrates many of the conventions of the genre:  brass back pack, goggles, straps, random clock faces/pressure gauges and an inability to keep her upper thigh covered. Her blouse is more early Edwardian and, in common with a lot of these pictures, she sports anachronistic suspenders (garter belt for our American friends) for her stockings. Dunne was influenced by Manga early on while living in Taiwan as can be seen from her face.




A sword-armed lady this one, channeling Catherine Zeta-Jones, in Zorro perhaps.  Hopeless underwear here: Victorian ladies would have worn knee length drawers, no suspenders and bras hadn't been invented yet.  Probably a scientist could work out exactly how many sword strokes it would have needed to render her into this state.




This is a better effort, although it is let down by the suspenders and the sheer stockings.  The wings are intriguing.




Pistol connected to backpack. Check.  Goggles check!  Random dials attached to stockings. Check.  At least this girl doesn't have suspenders but the required tightness of her garter, in order to support all those brass dials, would surely cut off the blood to her legs.  The gloves are a nice touch but the effort of lugging all that equipment around has given her rather fearsome shoulder muscles.




Our next steampunk heroine, who looks like she may, in fact be the one above her as well, is certainly generating a lot of steam from her enormous, but rather nineteen thirties, backpack. She is encased in a frankly very un-Victorian catsuit affair. Her shoes are wrong so we can’t give this effort a high mark. Where are her goggles? Where are her dials?




More steam in this one and at least she has boots and goggles. Her trousers, vest and screwdriver all put her rather later than the nineteenth century, however.  Still she would make a good engineer (no doubt the Professor's wayward niece) in the engine room of a steam powered tunnelling machine or some prototype land dreadnought.




A trio of ladies, now, and not a backpack in sight but a very assertively displayed frontpack instead. Goggles straps (one of which appears to be dragging the centre lady’s petticoat rapidly southwards) and big brass-bound pistols are in evidence. There is not much point in having a corset that is so abbreviated that it doesn’t cover the waist, however.   The lady on the right has a nicely sportif hat; ideal for riding or a spot of archery, perhaps.




This picture of two exhausted looking maids (why are they so tired, we ask?) was the first steampunk cheesecake picture we found. What is that, exactly, gazing at them through the window? Perhaps it is a Victorian gentleman paid to play phonograph cylinders looking for a young lady to moles...,er, impress? A reasonable attempt at the stockings but those knickers are hopeless. The bra, of course, didn’t really catch on until the period of the Great War with the first short, boned camisole appearing in about 1900. It certainly didn’t look anything like this frothy, abbreviated little number.




The final one, I have to say, is my favourite. Not only does the lady look feistily independent but her clothes are much better; with lace cuffs, ankle boots and striped stockings, which were very popular at the end of the nineteenth century. She has a nice hat too. Too many of these ladies are out and about without hats which is certainly not the thing!  The brass encased fingers add the requisite steampunk element as does her fearsome looking pistol

So, I hope to get on with my own steampunk heroine this weekend.  

Tuesday, 21 January 2014

Allan Quatermain




I've just completed my third West Wind Empire of the Dead figure: Allan Quatermain.  Although he was easy to paint I'm not quite so enamoured of him as a figure compared with Irene Adler and Captain Nemo.  The main issue I have with him is the way his hat sits rather uncomfortably perched on top of his head.  His gun looks a bit short too for the sort of elephant gun I would imagine him carrying. 




His clothes look like they are, in part, based on Sean Connery's portrayal from The League of Extraordinary Gentlemen.

For the Legatus, Allan Quatermain will always be Stewart Granger, as seen in King Solomon's Mines (1950).  Unusually for the time, actually shot in Africa (the prospect of having to live in a tent was what caused original choice for the role Errol Flynn to pass on the part) the film is unusual in that it doesn't have an accompanying musical score.


Richards Carlson, Deborah Kerr and Stewart Granger in King Solomon's Mines


The Legatus listens to a lot of soundtrack music, which is particularly good for painting too, but, really, the notion of music playing in the background of a film is quite odd if you think about it.   A hangover from the days of silent film it is strange that so much effort goes into making what appears on screen as realistic as possible and then accompanies it by the completely unrealistic practice of having music underlining the action.  In a way, it is just as unrealistic as the much derided idea that in Bollywood films everyone suddenly breaks into a song and dance routine, even in an otherwise serious drama.  But, of course, King Solomon's Mines, an otherwise excellent film, seems to have something lacking about it because of the absence of music.   I painted Quatermain to the sound of the scores from Mountains of the Moon by Michael Small and the League of Extraordinary Gentlemen by Trevor Jones (his music is better than the film itself).

Next up are The Servants of Ra figures for In Her Majesty's Name.

Monday, 20 January 2014

Irene Adler my first figure of 2014




The light has been just awful lately, as we suffer almost constant inundation, so although I finished this Empire of the Dead Irene Adler figure a few days ago it has been too dark to photograph her.  This is my second EotD figure and she was, like Captain Nemo, lovely to paint.





I might try to finish my IHMN policemen next but they will need good light to work on, given the need for some quite subtle shading.  I bought the Brick Lane Collective for IHMN too from North Star.  Given North Star's leisurely service they won't be with me for several weeks, I suspect, in contrast to some figures I ordered from Australia (more about which shortly) recently which arrived in about five days.


Rachel McAdams


Irene Adler, an American opera singer, appeared in the 1891 Sherlock Holmes story A Scandal in Bohemia.  As a woman who gets the better of Homes, despite appearing in just the one story, she has engendered a fascination greater than her actual profile in the original stories.


Robert Downey, Jr and  Rachel McAdams


Recent versions of Sherlock Holmes have included a representation of Irene Adler.  Rachel McAdams turn in Sherlock Holmes (2009) and Sherlock Holmes: a Game of Shadows (2011) was feisty and coquettish.  She also displayed some fetching Victorian underwear.


Natalie Dormer


Both the current modern day adaptions of the Holmes stories, Sherlock and Elementary have also featured Irene Adler.  In the US made, Elementary she was played by Natalie Dormer and the supposed death of Adler was the reason that Holmes took up drugs.


Lara Pulver (dressed, unusually)


In the episode of Sherlock, A Scandal in Belgravia, the plot is very much an update of the original story although Adler is English and played by Lara Pulver in a notorious performance that enabled the episode to become the BBC's most watched programme on iPlayer.


Gayle Hunnicutt


My favourite Irene Adler, however, is the gorgeous Gayle Hunnicutt in the 1984 version of The Scandal in Bohemia which was the first episode of the definitive Jeremy Brett Granada series.


Gayle Hunnicutt and Jeremy Brett

A glimmer of hope for Ripper Street





Several newspapers reported yesterday that the BBC was looking for a partner to fund a third series and is in talks with LoveFilm.

Let's hope this is true and that the resultant budget cuts won't ruin it  It remains a continued inspiration for my slow but sure progress on my various steampunk figures.  I based and undercoated another few figures today. Hopefully I can do a bit at the weekend but it's looking like I will not have much time again. 

Finding Nemo


 Lots of teeth!


When I got my big box of West Wind's Empire of the Dead Requiem figures I couldn't for the life of me remember which figures I had ordered.  I then had to go on several trips so just based up all the individual figures and decided to work out who was who afterwards.  




One figure which was quite easy to identify was Nemo, especially if you have seen The League of Extraordinary Gentleman. I decided to start work on him as the first of my Empire of the Dead figures and I finished him today.  As ever, I am finding it easier to concentrate on character figures at present rather than trying to paint units of anything but this does mean my slow painting speed has now become glacial.  This is my first completed figure in five weeks. 




This is the first West Wind figure I have ever painted and I found the level of detail excellent with hardly any mould lines and no flash.  I'm looking forward to doing some more.  They have now issued an entire Captain Nemo and crew set with Nemo dressed more in the manner of the Disney film of 20,000 Leagues Under the Sea.  Looks like I will have to get that too.  Then, of course, I will need a Nautilus!

Ripper Street cancelled


No more tarts with hearts


I was shocked to learn, from a number of other blogs, that the BBC has cancelled Victorian crime drama Ripper Street, basically because it couldn't compete with I'm a Celebrity Get me out of Here in the ratings.  Especially as I was about to start work on two of the North Star In Her Majesty's Name figures based on the actors from the show. There is an online petition you can sign but it will do no good, I'm afraid.  Not because it hasn't had enough signatures, which it hasn't, but because that is not how the BBC works.  It is a monolithic governmental organisation that is far from responsive to anything, and will, like government, never acknowledge its mistakes.  My sister worked there for a couple of years as an external consultant and said it was the worst managed organisation she had ever come across.  A friend of mine was a BBC producer (he is now a freelance) and despite being quite a lot more liberal (not to say a complete pinko) than the Legatus, said that he felt like a fascist. there.  Odd then, that something as commercial as ratings now seems to hold sway over creative instincts. 

The key issue is, of course, why the BBC feel that they have to chase ratings at all given that they do not (yet) take advertising.  Shouldn't they just be making the best programmes they can?  Of course, I suspect that Ripper Street was very expensive to make compared with bunging a lot of members of the public in a tent and getting them to bake scones.  

Lost World Monster Hunters!



I finished another two figures today to complete my initial Lost World force.  From left to right we have Zambo, Edward Malone, Professor Challenger, Professor Summerlee and Lord John Roxton.  They are a mixture of Foundry Darkest Africa and Copplestone Castings High Adventure series.   Challenger was the one I was struggling with but I found I had a spare Foundry John Hanning Speke figure which had an appropriately large beard so after a bit of surgery and the addition of a Greenstuff jacket I had something usable and a little different from the original figure.




Now I may add a defiantly non-literary woman to the plateau-ascending group as a nod to all their cinematic incarnations.  However, finding a good adventuress for 1912 will be tricky.  By 1912 corsets were still worn (they would survive until just after WW1) giving a slimline look with long straight skirts and loose blouses.  Most of the female 28mm figures are either mid-Victorian (crinolines and full skirts), late Victorian, (small bustles, fitted bodices) or nineteen twenties and thirties (mid-calf skirts or jodphurs - first worn by women following Coco Chanel in 1921).  More research needed!