Here is the Victorian Baker Street from the BBC's forthcoming Sherlock Christmas special from the trailer released this week. Very excited to see how they handle Victorian London. Looks good so far!
Showing posts with label Sherlock Holmes. Show all posts
Showing posts with label Sherlock Holmes. Show all posts
Saturday, 11 July 2015
Monday, 20 January 2014
Irene Adler my first figure of 2014
The light has been just awful lately, as we suffer almost constant inundation, so although I finished this Empire of the Dead Irene Adler figure a few days ago it has been too dark to photograph her. This is my second EotD figure and she was, like Captain Nemo, lovely to paint.
I might try to finish my IHMN policemen next but they will need good light to work on, given the need for some quite subtle shading. I bought the Brick Lane Collective for IHMN too from North Star. Given North Star's leisurely service they won't be with me for several weeks, I suspect, in contrast to some figures I ordered from Australia (more about which shortly) recently which arrived in about five days.
Irene Adler, an American opera singer, appeared in the 1891 Sherlock Holmes story A Scandal in Bohemia. As a woman who gets the better of Homes, despite appearing in just the one story, she has engendered a fascination greater than her actual profile in the original stories.
Recent versions of Sherlock Holmes have included a representation of Irene Adler. Rachel McAdams turn in Sherlock Holmes (2009) and Sherlock Holmes: a Game of Shadows (2011) was feisty and coquettish. She also displayed some fetching Victorian underwear.
Both the current modern day adaptions of the Holmes stories, Sherlock and Elementary have also featured Irene Adler. In the US made, Elementary she was played by Natalie Dormer and the supposed death of Adler was the reason that Holmes took up drugs.
I might try to finish my IHMN policemen next but they will need good light to work on, given the need for some quite subtle shading. I bought the Brick Lane Collective for IHMN too from North Star. Given North Star's leisurely service they won't be with me for several weeks, I suspect, in contrast to some figures I ordered from Australia (more about which shortly) recently which arrived in about five days.
Rachel McAdams
Irene Adler, an American opera singer, appeared in the 1891 Sherlock Holmes story A Scandal in Bohemia. As a woman who gets the better of Homes, despite appearing in just the one story, she has engendered a fascination greater than her actual profile in the original stories.
Robert Downey, Jr and Rachel McAdams
Recent versions of Sherlock Holmes have included a representation of Irene Adler. Rachel McAdams turn in Sherlock Holmes (2009) and Sherlock Holmes: a Game of Shadows (2011) was feisty and coquettish. She also displayed some fetching Victorian underwear.
Natalie Dormer
Both the current modern day adaptions of the Holmes stories, Sherlock and Elementary have also featured Irene Adler. In the US made, Elementary she was played by Natalie Dormer and the supposed death of Adler was the reason that Holmes took up drugs.
Lara Pulver (dressed, unusually)
In the episode of Sherlock, A Scandal in Belgravia, the plot is very much an update of the original story although Adler is English and played by Lara Pulver in a notorious performance that enabled the episode to become the BBC's most watched programme on iPlayer.
Gayle Hunnicutt
My favourite Irene Adler, however, is the gorgeous Gayle Hunnicutt in the 1984 version of The Scandal in Bohemia which was the first episode of the definitive Jeremy Brett Granada series.
Gayle Hunnicutt and Jeremy Brett
First two figures for In Her Majesty's Name
I sat down and painted these two yesterday. The "Consulting Detective" from the Scotland Yard company and a cultist follower of Akhenaton from the Servants of Ra company. Yesterday evening I also cleaned up and based the rest of the figures from these companies plus the Lord Curr's Company as well. Still two more companies to go though!
A number of issues have presented themselves, however. The first relates to the quality of the figures. Not the quality of the sculpting, I should add, which is characterful and excellent. There are two issues here. Firstly, several of the figures have been slightly misaligned in the mould which necessitated more than a bit of filing and some actual carving with a knife to get the two surfaces aligned. Nothing fatal, but time consuming. Several figures were also pitted and all had quite prominent mould lines. The second issue is that the metal they are made from is quite soft (usefully given the above) but, as a result I am concerned for the durability of some of them.
Lord Curr himself brandishes a long and exotic gun but the top portion of this is very susceptible to bending to the extent that I expect it to fall off shortly. Likewise he dancer, Sairah, is connected to the base solely by one slender ankle. She is also looking fragile. The upshot here is that compared to the Perry and Aventine figures I am working on at present, they have used quite a low quality metal.
Lord Curr himself brandishes a long and exotic gun but the top portion of this is very susceptible to bending to the extent that I expect it to fall off shortly. Likewise he dancer, Sairah, is connected to the base solely by one slender ankle. She is also looking fragile. The upshot here is that compared to the Perry and Aventine figures I am working on at present, they have used quite a low quality metal.
The final two issues relate to aesthetics. A large part of my interest in these figures was because of Kevin Dallimore's splendid paint jobs on them. Unlike historical military figures, however, you can paint them any way you like and, yet, Mr Dallimore's artistic choices are so spot on that you are tempted just to follow his colour scheme. If you did, however, you would just end up with an inferior copy of his figures. This became an issue with my very first cultist figure. Everyone knows that Pulp cultists wear red but I didn't want to go down that route for the reason given above. Red would be appropriate for these figures too because of ancient representations of the Eye of Ra (depicted on the mummified priest figure). Instead I have painted mine a sand colour (Humbrol 121) as they look appropriately Egyptian. This is the colour I use for my Sudan bases as it is very close, coincidentally, to the colour of the sand in Egypt and the Sudan, as you can see from my profile picture further down on the left. The turquoise-blue shade is going to be used throughout this company to reflect the lapis lazuli used in a lot of ancient Egyptian jewellery. I have decided not to attempt to paint the Eye of Ra symbol on their tunics as this would be beyond me. I am amused to see that Mr Dallimore has used the Stargate version of this ancient symbol rather than anything more archaeological.
This wasn't such an issue with the Sherlock Holmes figure as a grey coat and deerstalker are common. Jeremy Brett wore something very similar in a number of his Sherlock Holmes episodes. I thought that the figure looked enough like the late Mr Brett to give him black gloves which he wore so often in the superb ITV series. The other civilians, also, will be easier to de-Dallimore and I am currently researching late nineteenth century gentlemen's clothing which is rather more colourful than formal wear today.
The second aesthetic issue is more fundamental. How do you depict the figures' bases when they may be deployed in both urban and rural settings? Earth and grass would look odd inside a building (I am having grandiose thoughts about attempting to construct a museum interior). Equally, a paved surface would be strange in the country. So I have left the bases as a compromise bare earth. I'm still not sure on this one. My daughter says that obviously I need differently based figures for the different environments! Given it took me around seven hours to paint these first two I don't think that that is likely.
So, I have some more time today so try to get some more prepared. All in all they are very enjoyable to paint but take a lot of time as I am using four or five shades rather than my usual three. Watson is under way so maybe one of the young ladies next!
A post Salute frustration, Victorian fluff and nearly a nasty moment...
In Her Majesty's Name - not as much progress as I would have hoped
Usually on my return from Salute I immediately base a figure or two and try to get something painted straight away. This is exactly what I intended to do today, given that I possess nearly five dozen new figures for In Her Majesty's Name. I based a dozen yesterday and undercoated three today intending to finish at least one (probably Sherlock Holmes).
In order to keep me focussed on a project I like to indulge in a bit of background fluff to engender the requisite engagement. Usually this is just a bit of reading and appropriate music while I paint. So I've been listening to the Hans Zimmer Sherlock Holmes soundtracks, the Patrick Gowers TV soundtrack and even David Arnold's Sherlock soundtracks. Sometimes something more visual is needed and so the other night I watched the Sherlock Holmes (2009) film again as it is quite Steampunky in places. I also decided to finish an episode of the Jeremy Brett Sherlock Holmes which I had started but not finished some time ago. Quite a lot of these are shot in and around country houses rather than the foggy London I imagined would feature more often (which is why I need to locate my unpainted model mansion which I originally bought for using in ECW games). This episode, The Man with the Twisted Lip, did have some good dark alley Victorian London scenes however which gave me some thoughts about a London scenic board (eventually).
Eleanor David in The Man with the Twisted Lip
However the scene which really took my fancy was when Holmes (the North Star IHMN figure really looks like Jeremy Brett) and Watson turn up at the lady in distress's house in the country. Played by Eleanor David, one of a number of splendid actresses to appear in this series over the years, she offers Holmes and Watson a cold supper after their long journey from London.
They never eat it but this sumptuous looking collation of pie, cheese, ham on the bone and cold pork chops quite distracted me from the action. I proceeded to shop for a version of this to have tonight with a nice bottle of claret while I watch the next episode... Inspiration comes in many forms!
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